If you saw “How To Lose A Mountain”, do you think you saw this solo? Well, you did. But what you saw was this material six months later with new meaning and context. This process is very typical of how we make dances at Dance Exchange.
The movement assignment I worked with to create this phrase was about making space inside the body. It began with the question, How much can one body hold? As the piece developed, my character became one who both confronts Sarah’s new worldview and tries at the same time to accommodate that view, to make room for it in her own world. The idea of “making room” then had a particular context. Instead of a stand alone solo moment, the movement became part of a larger group section. By using very specific, personal movement, my character was clearly defined as unique in that early moment in the piece. Elements of the solo return in different contexts throughout the piece, reminding me of who I am and making it clear how I change.
It is lovely to watch this movement now and to be reminded of what it was at the source. The whole process is rather like the subject of the piece itself– what we hold on to, what we lose, how things change over time.