KEARNEY — American brides haven’t consistently beat white. And if couples in celebrated bells photos aren’t smiling, there’s a reason.
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Those tidbits and added will be allotment of the Trails & Rails Museum’s Fabulous Friday program, “Wedding Dresses Through the Years,” set for 2 p.m. Friday at Brookdale Kearney Northridge at 5410 17th Ave. The affairs is free, and the accessible is invited.
As she presents the program, Pat Neff will highlight dresses currently on affectation in the Family History Center and appearance photos from weddings in Pleasanton and Amherst from the 1890s to the 1950s.
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“Things accept changed,” Elaine Batenhorst said. “My mother’s adorable craven banquet at her bells was in the bells beat in the newspaper.”
Elaine Batenhorst, wresearched weddings through the decades for Trails & Rails, admires some of the bells finery on affectation at Trails & Rails.
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Batenhorst, retired from the University of Nebraska at Kearney, appropriately spent time aftermost year digging into the history of bells accoutrement and community and putting calm a five-page abridgment of its trends. Studying a photo of George and Emma Taubenheim’s 1915 wedding, she said: “I alarm this one the Statue of Liberty. Look at her hairpiece! Just to apperceive the belief is fascinating.”
Batenhorst aggregate a advertisement of bells gowns and accessories that the Buffalo County Historical Society appear aftermost winter. Among added things, she noted:
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– Back Phoebe Darling affiliated Elmer Adams in 1894 at Kearney’s old Windsor Hotel, Adams wore a morning coat.
– Back Anna Kreitzer affiliated John Gunst in 1895, she wore a white dress and a hairpiece of tiny flowers, but no veil.
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– Back Hugh Dixon affiliated Elizabeth Phillips in 1895, her dress was not white, but a ablaze delicate or ablaze gray and was possibly fabricated by the helpmate or her mother, Batenhorst said.
Through the 19th century, white bolt was difficult to apple-pie by hand, so a helpmate about wore her finest dress to her wedding, alike if it was black. “The alone colors that were abhorred were green, which was advised unlucky,” Batenhorst said. “Blue was accepted because it represented purity, allegiance and a affiliation to the Virgin Mary.” Blue additionally hid stains and imperfections and could be beat again.
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Few brides wore architecture because it was rarely available, and it was expensive, Batenhorst said. Bouquets generally were white roses, orchids, lilies of the basin and orange blossoms.
The Roaring ’ 20s “brought a appearance anarchy and hemlines rose aloft the knee. Dresses became risqué, some say,” Batenhorst said. By the ’ 30s, some brides wore hats instead of veils. “In the Depression, money was bound and affluence actual was not available. Many bought
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